Hadi Borhan is a famous Iranian poet, composer, musician and singer born on April 3, 1993.
In the following, we are with you on the topic of composing and music theory from Hadi Borhan, we hope you enjoy it enough.
The arranger is the person who takes the melody from the composer and composes the accompanying part of the song based on the melody, determines what note each instrument should play, all the rhythms, passages, chords, arpeggios, etc.
All the arranger specifies and writes, unlike the composer, the arranger must have a lot of knowledge and in addition
Knowing music, harmony, etc. must be familiar to all instruments in order to be able to compose a song for that instrument
To write, a regulator, more than a talent, requires a great deal of knowledge. Or, to put it simply, a regulator is someone who
It is responsible for coloring the main notes of the composer’s melody.
He must be thoroughly advanced with musicology and theories
Be familiar with music. Be familiar with the ability to play a variety of instruments and the feeling and spirit of their sound. From sciences such as Poin counter and
Harmony in music is fully informed and you have practical skills in using them in mixing notes. In general, he is the one who
The task of writing and preparing all the notes of the song for each of the selected instruments (by himself or the composer) as well as memorizing
Coordinates all these notes and the mood of the song and in general creates a beautiful combination of notes and different sounds and techniques
There is an unwritten rule that when you prepare for a recording session, the more time you spend in the pre-production stages, the better your output will be. The same goes for setting music.
The following points are not ideas for setting up or new information. Keep these points in mind; Maybe one or more of these points is what your next music needs…
Changing the dynamic music between verse and chorus is one of the easiest and most natural ways to make music more dynamic. For example, chorus usually has a louder sound than verse. Drummers can tap the snare with a sidestick for the verse part and get a full snare sound for the preference part. Guitarists can perform rhythm and strumming in the chorus section and arpeggio in the verse section; Keyboardists can also put more notes in each chord in the string preference section. There are many ways to make dynamic changes in music, most of which involve adding or changing the arrangement of different parts of the song.
The rhythmic part of each piece is very important. If you can create non-contradictory and hemi-related parts for verse, preference, and other parts of your music, your arrangement will not only be more logical, but also more musical.
Background vowels are a great tool for arranging a piece. Start with a harmonic sound throughout the piece; After a while, add another harmonic sound… Continue until you get a full chord (if your music needs one). A common method is for one or two vocalists to match some parts of the piece with the main vocalist, and in fact perform the main vocalist’s harmony, and in other parts, a small group of singers use syllables such as “AAAAAA” and “Ooooooo”. To read. Such vocal-pads can give more depth and richness to the more secluded parts of the piece. From a lawyer’s point of view, changing the reverberation of the sound from light to thin screams (or something in between) can clean up different parts of a piece and make the arrangement more memorable.
The tips you read are just a few examples of the myriad of tips you need to keep in mind when arranging parts. Although great pieces and unique performances are more important than the ideas of arranging a piece, strong adjustments make the whole potential of the piece well conveyed to the listener.